If I’ve learned anything from this past year, is that flowers matter to people. By the time the pandemic started I had painted a number of large floral pieces. I was interested in an immersive experience.
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It’s been a strange time for everyone for so long now. My life has been largely unchanged by the pandemic. The life of a painter is fairly solitudinous most of the time, and I’ve cultivated a quite sedate and minimal existence in general.
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I’ve been painting steadily the last couple of months, and I thought it would be interesting to see what the work I’ve made in this time of quarantine would look like in a grouping.
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The beauty of painting is you’re giving a sensation parallel to life, describing something in paint which gives a different feeling than reality, yet paradoxically enhances the viewer’s experience of the world.
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Thirty five years ago, when I started painting still life, my biggest influences were painters such as David Hockney and Eric Fischl who are not even known so much for still life. I liked their style and contemporary approach.
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